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Wisdom

“When we gain confidence in the view of the intrinsic nature without distraction or confusion, the arising of a deluded thought is like a thief entering an empty house. The house has nothing to lose, and the thief has nothing to gain. Whether the thief comes into the house or not, there is neither benefit nor harm. In the same way, thoughts will arise like reflections; but the moment they occur, the view of the intrinsic nature is right there. Since the view of the intrinsic nature is stronger than the thought, the thought will automatically be groundless and rootless. When that happens, there is also no trace left behind. If we can maintain the continuity of that state in which no trace is left, that is what is known as liberation.

It is like a drawing mode on the surface of water: there is no need to find something to erase it. Before the end of the drawing has been completed, the beginning has already disappeared.

Dilgo Khyentse Rinpoche (Oral Instructions on ‘Three Words That Strike The Vital Point’ – on Action – Collected Works, Vol III pg 652 – Shambhala

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Bangkok+Phuket2017 Favourite Moments

之一:喜欢曼谷的铁道市场Maek Long。

不光是因为有好多新鲜的看。有许多食材,我都看不懂,但光是看到看不懂,也觉得很幸福,觉得还有好多学习的空间。想继续挖掘。继续了解和探知。

我知道只要继续这么探知,就能丰富自己。

于是尝试很接近地面。去感受由下而上,由地表迸发出来的力量。

更喜欢这里的人很草根,不把困难当一回事。不把简陋破旧不完美当一回事。不厌其烦,每次火车来,就收拾,火车离开,再把帐篷、买卖摆出来。

日复一日。每日重复。

重复。

重复多么令人难受的啊。但是他们可以。那是多么了不起的力量。

老太太弯着腰,重复一日又一日。或许,重复也是一种幸福?

我看到他们的坚韧,不把困难当一回事。或者说,接受困难。接受困境、接受局限。与局限为伍,与局限生活。

创意地、踏实的、认真的、努力的。

之二:

IMG_5710

Was observing the sunset in Phuket’s Mai Khao Beach.

And i ask myself, what do I want?

I want to be the best that I can be. I asked what is the best of me?

And that is, an authentic honest me, truthful and direct

Me that is me.

To say things that I feel, to do things that I like.  Just that.

之三:

终于把书本送掉。

送到图书馆的书架。

IMG_5986

居然很不舍。

好像,给掉一部分的自己了。因为决定皓皓和沁芝就够了,所以觉得就这样。送掉一部分可以制造的自己。

我知道当下的心情是不舍,于是在书本上亲一亲,摸一摸。谢谢书本陪伴我,就在我怀孕的两次。感谢书本里的知识,给我养分,让我在期待孩子的期间,学习甚丰。

 

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找回自己的power

不小心看到这个。

我好像忘了印度的magic了。

It will be. I will work hard to be the best version of TPY.

随从的心,就是为了让你知道,你可以做回自己。做回那个公主。

重新告诉自己,你可以的,完全可以做回自己那个自己。完全可以。只要你allow。

想想,你在印度接触到什么是你喜欢的?慢慢地在生命中把它带回来。

找回自己的power。

因为那个是任何人怎么也带不走的。

—-我会努力的。

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Yoji Yamamoto

Japanese designer will never get out of fashion, or so it seems.

Just look at what he says, how he thinks.

On living clothes,

Along the signature palette of blacks, the runway beamed with radiant yellow, red, blue and turquoise, while “real people”, cast in an open call the previous day, cut through the impressive, solemn architecture in wearable and somewhat less wearable creations. A play on the notion of a garment’s shelf life, the passing of seasons and with it, of trends, was commented to great effect by casting older women as well as young models. Yamamoto’s belief that one should “live” the clothes was beautifully and vividly demonstrated by a pair of voluminous Shepherd’s check numbers that were sent down the runway in sequence, one worn by a young model, and one by a silver-haired lady.

On creating

“Being a real creator is like climbing a mountain. You need training. Training, training, training… don’t design with your brain, design by your heart, your soul.”

On hands

For making a dress you have to use your fingers, your hands [holds hands up and moves fingers]. It’s very important because your hands are culture. Your soul comes out at the tips of your fingers. Fashion is the last business of craftsmanship. And this is going to disappear.

On when clothing becomes art

Ultimately, on the body. But Haute couture has disappeared; it’s the times of ready-to-wear. Everything is RTW. When in fact it [should be] a kind of love romance: you meet some fantastic clothing by chance, and you fall in love and you live this piece of clothing. You don’t waste clothing but live with it. Please, don’t waste clothing!

On being understood

I don’t care… I really don’t care. If I have 800 people in the audience, maybe five or six people understand. It’s okay, that’s enough.

On necklines

But take the design of a simple black T-shirt. This neckline [draws a line under his collarbone with his finger] is very difficult, because the black fabric against the skin… it’s creating a border. So if you don’t concentrate on drawing this line carefully, the T-shirt loses its own charm. A female designer’s T-shirt is always charming.

http://www.sleek-mag.com/2013/08/12/notes-and-quotes-from-yohji-yamamoto/

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用灵魂歌唱

“我个人相信,音乐是让人静下来,让人幸福、让人快乐的东西。幸亏,我今生遇到了音乐。”

“我不是来PK的,我不属于娱乐,这不是我做的事情。”——杨乐

“我个人相信,文字是让人静下来,让人幸福的东西,幸好,我今生遇到了文字。:) ” ——陈彬雁

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Toko Shinoda and art in her life 

Although she also works in lithograph, Shinoda often chooses to use brush and sumi ink, exacting materials that don’t afford the luxury of backtracking or revisiting strokes. Where oil painting, like prose writing, is the result of contemplative, cumulative composition, art made with ink is immediate and of the moment, perhaps more akin to playing a musical instrument. The paper instantly drinks the ink, making the medium a superconductor for the intent, even the personality, of the artist. For this reason painting with ink requires great poise, and the act itself is a kind of performance of which the marks become the record.

—– Toko Shinoda and art in her life http://www.japantimes.co.jp/culture/2017/04/13/arts/104-toko-shinoda-talks-life-art/#.WPBN125GSEd